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Arts & Culture

Broadway: The American Musical: Give My Regards To Broadway (1893-1927)

"Salome" tableau, "The Ziegfeld Follies," 1919.
Courtesy of Bettman/Corbis
"Salome" tableau, "The Ziegfeld Follies," 1919.

Airs Friday, April 5, 2013 at 10 p.m. on KPBS TV

This six-part documentary series chronicles the Broadway musical throughout the 20th century and explores the evolution of this uniquely American art form. The series draws on a wealth of archival news footage, lost and found television moments, original cast recordings, still photos, feature films, diaries, journals, intimate first-person accounts and on-camera interviews with many of the principals involved in creating the American musical. 2005 Primetime Emmy for Outstanding Nonfiction Series. It originally aired on Fridays, November 2-16, 2012 on KPBS TV.

Your Stories

Is there a musical you saw on Broadway or touring in your hometown that you really loved and couldn’t forget or a performer who completely mesmerized you? If so, we want to hear your stories.

Episode One: "Give My Regards to Broadway (1893-1927)" - When Florenz Ziegfeld Jr. first hits New York in 1893, the intersection of Broadway and 42nd is nobody’s idea of “the crossroads of the world.”

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But by 1913, “The Ziegfeld Follies really were an amalgamation of everything that was happening in America … at that time,” says writer Philip Furia. “Flo Ziegfeld was like the Broadway equivalent of the melting pot itself.”

Ziegfeld’s story introduces many of the era’s key figures: Irving Berlin, a Russian immigrant who becomes the voice of assimilated America; entertainers, such as Jewish comedienne Fanny Brice and African-American Bert Williams, who become America’s first “crossover” artists; and the brash Irish-American George M. Cohan, whose song-and-dance routines embody the energy of Broadway.

This is also the story of the onset of a world war and the Red Summer of 1919, when labor unrest sweeps the nation — and Broadway. The episode culminates in Ziegfeld’s 1927 production of Jerome Kern and Oscar Hammerstein II’s far-sighted masterpiece, "Show Boat."

“The history of the American musical theater is divided quite simply into two eras: everything before Show Boat, and everything after Show Boat,” says writer Miles Kreuger. With the Great Depression, the Ziegfeld era becomes a memory.

The episode features interviews with Irving Berlin’s daughter Mary Ellen Barrett, "Ziegfeld Follies" girls Doris Eaton and Dana O’Connell, New Yorker critic Brendan Gill, theater artist Al Hirschfeld, composer/lyricist Stephen Sondheim and Ziegfeld’s daughter Patricia Z. Stephenson.

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Highlights include newly restored color footage of "The Ziegfeld Follies" and footage of Fanny Brice singing “My Man.”

Up Next: Episode Two: "Syncopated City (1919-1933)" will air Friday, April 12, 2013 at 10 p.m.