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INDEPENDENT LENS: Hazing

Marie Andre with a collage of photos of her son, George Desdunes.
Laylah Amatullah Barayn
Marie Andre with a collage of photos of her son, George Desdunes.

Monday, Sept. 12, 2022 at 11 p.m. on KPBS TV / On demand with the PBS Video App

Editor's Note: This story contains graphic descriptions that some readers may find disturbing.

—Award-winning filmmaker and fraternity member Byron Hurt pulls back the curtain on the psychological, societal, gendered, and historical components of hazing—

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After making its premiere at the Tribeca Film Festival earlier this summer, INDEPENDENT LENS presents acclaimed filmmaker Byron Hurt’s “Hazing” as it kicks off the new season on September 12.

INDEPENDENT LENS: Trailer | Hazing

Building on years of countless hazing-related tragedies and grappling with his own experiences, Hurt (“Hip-Hop: Beyond Beats and Rhymes,” “Soul Food Junkies”) explores the function, politics, and consequences of pledging rituals at universities and colleges across the U.S.

Through a series of intimate interviews with victims' families, survivors, and his fellow fraternity brothers, Hurt and his subjects reflect on the realities of hazing, and question the purpose of these ongoing rite-of-passage rituals in sororities, fraternities, and other groups.

Brent McClanahan, hazing survivor, film participant and member of Kappa Alpha Psi Fraternity, Inc.
Kevin Chung
Brent McClanahan, hazing survivor, film participant and member of Kappa Alpha Psi Fraternity, Inc.

Through a look at the history of hazing and deeply personal narratives of those affected by the rituals, the film tackles topics of violence, sexual degradation, binge drinking, institutional coverups, and debased notions of manhood. Interviews with violence-prevention experts and campus professional staff provide broader cultural context for these practices and their association with Greek-letter organizations.

Hurt also discusses victim-blaming narratives, offering insight into the psychology of belonging, insecurity, and cycles of abuse which largely contribute to hazing culture. “Hazing” takes a look inward as well, as Hurt and many of the film’s subjects find themselves conflicted with the joys of Greek culture while also admitting to the perils and damaging effects of pledging practices.

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“When you’re sworn to secrecy, it’s a betrayal to reveal the painful experiences you endured in allegiance to your organization,” said Hurt. “As I came to terms with my role in this culture, I was called to make this film. I am extremely grateful to the brave individuals who shared their stories with the goal to spark lasting change on college campuses and prevent future tragedies.”

Karim Saafir (holding photo of Kenitha Saafir), Nikki High, and Patricia Strong-Fargas (sitting) with a photo of Kristin High.
Kevin Chung
Karim Saafir (holding photo of Kenitha Saafir), Nikki High, and Patricia Strong-Fargas (sitting) with a photo of Kristin High.

Hurt speaks with numerous participants in the film including Marc Lamont Hill, a member of Kappa Alpha Psi Fraternity, Inc.; James Vivenzio, hazing survivor and whistleblower; Brent McClanahan II, hazing survivor who sustained permanent injuries; and Reverend Patricia StrongFargas, founder of Mother’s Against Hazing whose daughter Kristin High drowned during a midnight hazing ritual.

Director Byron Hurt interviewing a film participant for "Hazing."
Director Byron Hurt interviewing a film participant for "Hazing."

Watch On Your Schedule:

The film debuts on Sept. 12, 2022 and will be available on the PBS Video App.

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Credits:

God Bless The Child Productions: Director: Byron Hurt. Producer: Natalie Bullock Brown. Executive Producers: Sally Jo Fifer, Lois Vossen, Stanley Nelson and Regina Scully.

“‘Hazing’ offers a nuanced perspective on the forces contributing to the hazing epidemic,” said Lois Vossen, executive producer of INDEPENDENT LENS. “We are proud to bring awareness to these practices and the larger issues of race, gender, identity, alienation, and belonging that are plaguing America’s campuses.”